goats and rusty barrel

well i am goin to be heading out for a couple of days over to houston again, to have my teeth fix,
I am pulling togther the set for Eyes of Tex show it comming up around the corner, i have five more paintings i want to bust out before it hits, i know which one i want to put on the card, "Great Indian BBQ's" i have it hangin in my studio waiting to be done? It was also one of the paintings Dick Wray said it was done and he liked it, one comment he maid was if you stopped there is a reason for stopping, and excelent point,
I think in paintng you build them up before you can actually see them, or identify what it actually is, alot of time the unfocused building which is starting point, can over ride the actualised picture, so if you stopped,
as Wray pointed out, and Niel would say the same, its the believe you inheritly don't have the spirt tomove on and everthing else is an "improvement" aka over working.
but like any thing one makes, its sorta inheritly the forces to make up this item , ploted againt the forces "completions and idea actualisations" which i have read is impossible to satifie. Wray and N,Wilson generation, being the Abstract Expressionist cannon have an unconsciece reaction to ideal-centric produced paintings, they favor more or less "free assosiations" pro bono all the time , more like spirt walking, which is good in its rise but sometimes blind in its fall,
I think you have to devolope, what it is you do in anything and know when your making bad painting, or activitys that don't nessarly led itself to the exactness of what you might have ment in the begining of the picture, (off task) . Every painting i made that i have felt was rolling good start good and finnish good, have always been the best, for , me
where and how did i go off task?